Wednesday, September 30, 2026

Best of 2026 part 2: vapor/witch house/dark experimental releases July to September

 

here we come with the second part of my favorites of this year.
from vapor to witchy dark experimental music. discover new music and support them.
long live underground music. Not in order of relevance.


artist: BLACK WICK 
title: Ch.SRFR_X I ...From the Finite and Prior. [CASSETTE VERSION]
date reissue: 10th September 2026 ///  originally released 24th March 2023
country: US
Label: Illuminated Paths
format: digital / cassette 
genres: vapor experimental, plunderphonics, electronic

link: 





artist: kaythousand 
title: ex3
date: 29th July
country: UK
Label: Self-released
format: digital 
genres: vapornoise, vaportrap, experimental





artist: Ourobonic Plague
title: G.A.: Seven: Convergence
date: 30th July
country: Australia
Label: Self-released
format: digital 
genres: experimental electronic




artists: Various
title: Communion
date: 17th July
country: US
Label: Wilting Flesh Records
format: digital / physical
genres: witch house, industrial, dark electronic





artist: Musis
title: Worship The Moon
date: 8th August
country: Italy
Label: Self-released
format: digital 
genres: drone, dark ambient, abstract ambient, vapor ambient





artist: MλNDY
title: <Now or Never>
date: 20th July
country: US
Label: Self-released
format: digital 
genres: vapor ambient, experimental, downtempo, chill beats





artist: Lowlife
title: Lowlife
date: 30th July
country: UK
Label: Vertigo Cult
format: digital 
genres: witch house, screwgaze






artist: Дефицит облаков
title: подземный локальный 1
date: 1st September
country: Russia
Label: Self-released
format: digital 
genres: vapor beats, downtempo, experimental





artist: Gas no Light
title: Halloween Mixtape 2026
date: 7th September
country: UK
Label: Self-released
format: digital 
genres: horror synth, minimal synth, electronic halloween music





artists:  kito smith / lilac GTA
title: Original Soundtrack
date: 28th September
country: US
Label: Self-released
format: digital 
genres: vapor ambient, experimental soundtrack

link:




artist:  ThePehBat
title: ▲ ▼
date: 23th August
country: US
Label: Self-released
format: digital 
genres: vaporwave, signalwave, slushwave




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artist:  Various
title: Black Lodge 2:53
date: 7th September
country: Chile 
Labels: Dawn of Darkness // Genetic Trance
format: digital 
genres: experimental, vaporwitch, witch house, plunderphonics, dark ambient






Monday, September 21, 2026

Interview with ~ JON PATCH ~ (2026)

                                        

https://jonpatch.bandcamp.com/

https://soundcloud.com/john-url-himself

https://www.youtube.com/channel/UCGtUlucijCFBoPf2gX9L_9A

https://www.instagram.com/_jonpatch_/


~ JON PATCH ~ // country: France // Genres: Experimental electronic, dark ambient, techno, 

minimal electronic, multi-genre, musique concrete.


- What is the meaning and concept behind the name of your music project?




The name Jon Patch is very literally about synth patching, and my real name translates to John.


It is also a reference to Don Patch from the anime Bobobo.





- What equipment do you use to create music?


In the computer, I produce on FL Studio, with plugins and samples. I will shout out Klanghelm and Analog Obsession, for their cheap and DRM-free analog-modeled effects. I use MJUC and BritChannel all the time. 


I also use the program VCV Rack, which is a free virtual modular synth.


Outside the PC, I record live tracks and generative sets on modular synth with a few other devices. 

Some notorious parts of my sound are the Behringer Neutron semimodular, the Mutable Instruments Plaits, Rings and Clouds (monsoon style) modules, the Behringer Deep Mind synth and on occasion the Volca Modular. I also employ the Elektron Model:Samples for sample-based parts.


These are mixed and effected with an analog mixing desk and guitar pedals, like the MS70 CDR multi FX (highly reccomended), the Small Stone phaser, the JHS 3 series fuzz for a distortion send, and the RNLA compressor on the modular synth output.


I record these with the Zoom H5. I sometimes employ a microcassette dictaphone as a creative sampling device.





- tell us about your Biography as artist


I have had an interest in music and creativity since I was a kid. We always had music playing, and my father was a drummer.


I picked up the guitar as a teen, but I never joined any band. I would just improvise alone for hours. I eventually picked up Caustic 2 for Android, and would make music in the bus to high school. 


I got into FL Studio right at the boom of american dubstep and EDM around 2014. I learned to produce in that genre by following tutorials by SeamlessR. Back then they were way more scarce, so he was a real MVP for putting the time into teaching the trade. Big shoutout.


I produced EDM music for 5 years under the alias Megatrix500. Eventually I was looking for a new creative direction. With a growing interest in live jamming with the Neutron synth, I discovered VCV Rack, and after a few minutes of using it my future as a generative ambient performer was sealed.


I took really well to the modular synth, after years of sound design using subtractive and FM synthesis, skills that translated well to modular. As such, some of my very first modular tracks were really liked by my friend Genís (aka Andiela), and him making remixes of those track flourished into creating our ambient and alternative netlabel, Nature Industries.


Our label was a big part of me being able to place myself within the Mental Tekno scene in France, since the first contributors to our discography were french tribe artists, many of them from the school of Cyclic Backwash (who, himself, contributed a couple tracks). 




- which are your music / artistic Influences


The roots of my style are born from 70's-90's hard rock and metal. I also listened to Chemical Brother's Come with Us a lot.


During my teens, some notable influences were Different Heaven, Zomboy, and other EDM artists. However my friendship with Andiela kept me open to some underground rave music here and there.


Then as I moved on to ambient and tekno, I was influenced at first by Nick Batt's youtube jams, and also Constructions des Temps Modernes and Cyclic Backwash. I also became a big Led Zeppelin and Camel enjoyer. That influenced my production style to be a bit more "vintage".


Later on I spent some time in France with Eat Your Mind and that was very influential for my music.


- favorite EP/Album composed by you?

The Factory of Tribe is a good tribe/tekno candidate. Since it was supposed to be played live at a party, I had to level up my production game to new heights.


For dark ambient, a favourite choice could be the 18th Nature Industries release, AR-18 "This is one form of metaphysical Types of energy", under the "Cançons per a les Bruixes" alias.


Also my collection of generative livesets, I listen to them very often.


- favorite music platforms? why?


I really like Bandcamp, it is in my opinion the most sensible take on music commerce in the online era.

I have a soft spot for Soundcloud. Anyone can open up a channel and put their music out there. It is not perfect, but it's where i built my music social circle and presence.


- any funny anecdote in the composition of a track or album?


I don't know if the word is funny. Maybe just a beloved one by me.

My album "La Volta a la Gàl·lia" was composed at a point in which I felt stuck in life. A few years had transcurred that felt the exact same, during the mid 2020's and some of the 2010's. It was my set to perform at a party. I drove over 10 hours into southern France, with a months-old driving license, and a car as old as myself (27 at the time).


After I played at the party, I stayed for a few days at my friend Eat Your Mind's place. it was our first time meeting in person. The days turned into months, I briefly got a kitchen job there, and I found a space to grow as a person. 


The album was very difficult to put together at a time of doubt and poor motivation. However it soaked my sadness and hope, and became my ticket of freedom.










- news for 2026/2027?


Look out for a new album of techno coming later this year under the alias Vulture Kult.


For next year, I will be playing at Eciton Gathering festival in France. It was cancelled this year sadly.


- any message to your listeners


I'm very thankful to every single person who has checked out my stuff, It gives life a little more meaning. Hope we will meet at a party. I invite anyone to download and share my music, it's free. 



Interview with David Attic (2026)

https://soundcloud.com/david-attic

https://www.youtube.com/playlist?list=PLOnODXIY0vgc

https://stoneweather.bandcamp.com/

https://sournois.bandcamp.com


David Attic /// country: Canada // genres: Experimental Electronic, Synthwave, Witch House, Vaporwave, industrial, multi-genre electronic.


-  What is the meaning and concept behind the name of your music project?

I've been using the name "David Attic" since i was 17, in 1990 i was dating a girl who at one point said i reminded her of a childhood imaginary friend named "David" who lived in her attic, and i liked that, so it's been my name ever since.



-  What equipment do you use to create music?

For DAWs i use Serato Studio, Mixcraft, Bitwig, RipX, and Audacity. VSTs i mostly use Arturia (instruments/effects), XLN Audio (instruments/effects) and iZotope (effects/mastering). hardware I've used a couple of Akai MPK Mini controllers, a Numark dj controller, and i recently purchased an Arturia Minifreak.






-  tell us about your Biography as artist

Creatively i started out in the early 1980s in hip hop, teaching myself how to scratch and mix, on terrible equipment (i was 12 so i had no money), took a few music keyboard (piano) courses in high school, then in the early '90s got a crappy 4-track Fostex cassette recorder and a Yamaha RY30 drum machine, and for most of the '90s i was making music, was in a few bands, djing at bars and nightclubs and the occasional rave - then a mix of burnout and life issues in the 2000s caused me to go on really long creative hiatus until 2020, then COVID hit and i decided to just dive right into making music again and have been working on things constantly ever since.


- which are your music / artistic Influences

LoL i could go on quite a bit here but i'll try to minimize it - Depeche Mode, Cure, New Order, Christian Death, Throbbing Gristle, Nurse With Wound, Broadcast, Coil, Burial, The Caretaker, Skinny Puppy, FLA, Aphex Twin, Whitehouse, My Bloody Valentine, Slowdive, Ryoji Ikeda, etc. as for art anything abstract and/or surrealistic and/or dark/creepy and/or "trippy". e.g. i really like the AI shorts that Myst Cult makes.





Side project: Sournois: Shelley and Loren Sournois

the Shelley and Loren Sournois pics, which are modified images of them, who i frequently collaborated with, are "real" - they are based on actual photos of them. 






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- favorite EP/Album composed by you?

I really don't have a lot of EPs/albums released as i upload mostly to soundcloud instead of platforms like bandcamp, but i'll go with the "back there e.p."


- favorite music platforms? why?

Soundcloud: when i first subscribed to a paid tier, i knew, being a nobody, my music wouldn't have much reach and treated it more like an online storage locker for my tracks - however over the past few years they've made big improvements for independents like me so now most of my tracks break 100 plays and sometimes get into thousands of plays (and not through artificial plays, i've looked into this), and through their Repost distribution backend my music is now on a lot of other streaming platforms. i find it funny that the naysayers talk about soundcloud as if it was still 2013.

Bandcamp: a great way to support artists and get high quality digital downloads and physical merchandise - however that platform doesn't favour independent creators who don't have a pre-existing following. i do think their stance on AI creatives is a bit harsh, and leaving it to the community to report "suspicious" content is not a great move, as it is lazy, and the haters have free reign to flag just about anything on there as being AI regardless of whether or not AI was used or to what extent.

Youtube: of course for the visual side of music.



- any funny anecdote in the composition of a track or album?

The track "sugar bowl" (on the "back there e.p.") was made as an audio reminder to buy a new sugar bowl as an accident had my last one at the time fall onto the kitchen floor and shatter completely - did buy a new sugar bowl but i hate it, so i'm still looking for a good one.






- news for 2026/2027?

Just to continue creating and learning as i go, and to keep existing.

-  any message to your listeners

Hmmm, thanks for listening, and thanks for being open-minded, as i do use tools in my workflow sometimes that are currently frowned upon by a lot of people.