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Monday, September 21, 2026

Interview with ~ JON PATCH ~ (2026)

                                        

https://jonpatch.bandcamp.com/

https://soundcloud.com/john-url-himself

https://www.youtube.com/channel/UCGtUlucijCFBoPf2gX9L_9A

https://www.instagram.com/_jonpatch_/


~ JON PATCH ~ // country: France // Genres: Experimental electronic, dark ambient, techno, 

minimal electronic, multi-genre, musique concrete.


- What is the meaning and concept behind the name of your music project?




The name Jon Patch is very literally about synth patching, and my real name translates to John.


It is also a reference to Don Patch from the anime Bobobo.





- What equipment do you use to create music?


In the computer, I produce on FL Studio, with plugins and samples. I will shout out Klanghelm and Analog Obsession, for their cheap and DRM-free analog-modeled effects. I use MJUC and BritChannel all the time. 


I also use the program VCV Rack, which is a free virtual modular synth.


Outside the PC, I record live tracks and generative sets on modular synth with a few other devices. 

Some notorious parts of my sound are the Behringer Neutron semimodular, the Mutable Instruments Plaits, Rings and Clouds (monsoon style) modules, the Behringer Deep Mind synth and on occasion the Volca Modular. I also employ the Elektron Model:Samples for sample-based parts.


These are mixed and effected with an analog mixing desk and guitar pedals, like the MS70 CDR multi FX (highly reccomended), the Small Stone phaser, the JHS 3 series fuzz for a distortion send, and the RNLA compressor on the modular synth output.


I record these with the Zoom H5. I sometimes employ a microcassette dictaphone as a creative sampling device.





- tell us about your Biography as artist


I have had an interest in music and creativity since I was a kid. We always had music playing, and my father was a drummer.


I picked up the guitar as a teen, but I never joined any band. I would just improvise alone for hours. I eventually picked up Caustic 2 for Android, and would make music in the bus to high school. 


I got into FL Studio right at the boom of american dubstep and EDM around 2014. I learned to produce in that genre by following tutorials by SeamlessR. Back then they were way more scarce, so he was a real MVP for putting the time into teaching the trade. Big shoutout.


I produced EDM music for 5 years under the alias Megatrix500. Eventually I was looking for a new creative direction. With a growing interest in live jamming with the Neutron synth, I discovered VCV Rack, and after a few minutes of using it my future as a generative ambient performer was sealed.


I took really well to the modular synth, after years of sound design using subtractive and FM synthesis, skills that translated well to modular. As such, some of my very first modular tracks were really liked by my friend Genís (aka Andiela), and him making remixes of those track flourished into creating our ambient and alternative netlabel, Nature Industries.


Our label was a big part of me being able to place myself within the Mental Tekno scene in France, since the first contributors to our discography were french tribe artists, many of them from the school of Cyclic Backwash (who, himself, contributed a couple tracks). 




- which are your music / artistic Influences


The roots of my style are born from 70's-90's hard rock and metal. I also listened to Chemical Brother's Come with Us a lot.


During my teens, some notable influences were Different Heaven, Zomboy, and other EDM artists. However my friendship with Andiela kept me open to some underground rave music here and there.


Then as I moved on to ambient and tekno, I was influenced at first by Nick Batt's youtube jams, and also Constructions des Temps Modernes and Cyclic Backwash. I also became a big Led Zeppelin and Camel enjoyer. That influenced my production style to be a bit more "vintage".


Later on I spent some time in France with Eat Your Mind and that was very influential for my music.


- favorite EP/Album composed by you?

The Factory of Tribe is a good tribe/tekno candidate. Since it was supposed to be played live at a party, I had to level up my production game to new heights.


For dark ambient, a favourite choice could be the 18th Nature Industries release, AR-18 "This is one form of metaphysical Types of energy", under the "Cançons per a les Bruixes" alias.


Also my collection of generative livesets, I listen to them very often.


- favorite music platforms? why?


I really like Bandcamp, it is in my opinion the most sensible take on music commerce in the online era.

I have a soft spot for Soundcloud. Anyone can open up a channel and put their music out there. It is not perfect, but it's where i built my music social circle and presence.


- any funny anecdote in the composition of a track or album?


I don't know if the word is funny. Maybe just a beloved one by me.

My album "La Volta a la Gàl·lia" was composed at a point in which I felt stuck in life. A few years had transcurred that felt the exact same, during the mid 2020's and some of the 2010's. It was my set to perform at a party. I drove over 10 hours into southern France, with a months-old driving license, and a car as old as myself (27 at the time).


After I played at the party, I stayed for a few days at my friend Eat Your Mind's place. it was our first time meeting in person. The days turned into months, I briefly got a kitchen job there, and I found a space to grow as a person. 


The album was very difficult to put together at a time of doubt and poor motivation. However it soaked my sadness and hope, and became my ticket of freedom.










- news for 2026/2027?


Look out for a new album of techno coming later this year under the alias Vulture Kult.


For next year, I will be playing at Eciton Gathering festival in France. It was cancelled this year sadly.


- any message to your listeners


I'm very thankful to every single person who has checked out my stuff, It gives life a little more meaning. Hope we will meet at a party. I invite anyone to download and share my music, it's free. 



Interview with David Attic (2026)

https://soundcloud.com/david-attic

https://www.youtube.com/playlist?list=PLOnODXIY0vgc

https://stoneweather.bandcamp.com/

https://sournois.bandcamp.com


David Attic /// country: Canada // genres: Experimental Electronic, Synthwave, Witch House, Vaporwave, industrial, multi-genre electronic.


-  What is the meaning and concept behind the name of your music project?

I've been using the name "David Attic" since i was 17, in 1990 i was dating a girl who at one point said i reminded her of a childhood imaginary friend named "David" who lived in her attic, and i liked that, so it's been my name ever since.



-  What equipment do you use to create music?

For DAWs i use Serato Studio, Mixcraft, Bitwig, RipX, and Audacity. VSTs i mostly use Arturia (instruments/effects), XLN Audio (instruments/effects) and iZotope (effects/mastering). hardware I've used a couple of Akai MPK Mini controllers, a Numark dj controller, and i recently purchased an Arturia Minifreak.






-  tell us about your Biography as artist

Creatively i started out in the early 1980s in hip hop, teaching myself how to scratch and mix, on terrible equipment (i was 12 so i had no money), took a few music keyboard (piano) courses in high school, then in the early '90s got a crappy 4-track Fostex cassette recorder and a Yamaha RY30 drum machine, and for most of the '90s i was making music, was in a few bands, djing at bars and nightclubs and the occasional rave - then a mix of burnout and life issues in the 2000s caused me to go on really long creative hiatus until 2020, then COVID hit and i decided to just dive right into making music again and have been working on things constantly ever since.


- which are your music / artistic Influences

LoL i could go on quite a bit here but i'll try to minimize it - Depeche Mode, Cure, New Order, Christian Death, Throbbing Gristle, Nurse With Wound, Broadcast, Coil, Burial, The Caretaker, Skinny Puppy, FLA, Aphex Twin, Whitehouse, My Bloody Valentine, Slowdive, Ryoji Ikeda, etc. as for art anything abstract and/or surrealistic and/or dark/creepy and/or "trippy". e.g. i really like the AI shorts that Myst Cult makes.





Side project: Sournois: Shelley and Loren Sournois

the Shelley and Loren Sournois pics, which are modified images of them, who i frequently collaborated with, are "real" - they are based on actual photos of them. 






-------------------------------------------------------------


- favorite EP/Album composed by you?

I really don't have a lot of EPs/albums released as i upload mostly to soundcloud instead of platforms like bandcamp, but i'll go with the "back there e.p."


- favorite music platforms? why?

Soundcloud: when i first subscribed to a paid tier, i knew, being a nobody, my music wouldn't have much reach and treated it more like an online storage locker for my tracks - however over the past few years they've made big improvements for independents like me so now most of my tracks break 100 plays and sometimes get into thousands of plays (and not through artificial plays, i've looked into this), and through their Repost distribution backend my music is now on a lot of other streaming platforms. i find it funny that the naysayers talk about soundcloud as if it was still 2013.

Bandcamp: a great way to support artists and get high quality digital downloads and physical merchandise - however that platform doesn't favour independent creators who don't have a pre-existing following. i do think their stance on AI creatives is a bit harsh, and leaving it to the community to report "suspicious" content is not a great move, as it is lazy, and the haters have free reign to flag just about anything on there as being AI regardless of whether or not AI was used or to what extent.

Youtube: of course for the visual side of music.



- any funny anecdote in the composition of a track or album?

The track "sugar bowl" (on the "back there e.p.") was made as an audio reminder to buy a new sugar bowl as an accident had my last one at the time fall onto the kitchen floor and shatter completely - did buy a new sugar bowl but i hate it, so i'm still looking for a good one.






- news for 2026/2027?

Just to continue creating and learning as i go, and to keep existing.

-  any message to your listeners

Hmmm, thanks for listening, and thanks for being open-minded, as i do use tools in my workflow sometimes that are currently frowned upon by a lot of people.




Interview with Integral Carp (2026)






Integral Carp // country: US // Genres: Noise Ambient, experimental electronic, industrial

//* all images taken & created by Integral Carp

- What is the meaning and concept behind the name of your music project?

Carp was the original name of my audio experiments. It came from a handle I used online that was inspired by Central Arizona Roleplaying, an informal name for a small tabletop gaming group in the ’80s made up of my brother, a couple of friends, and me. Around that time, CARP was also an identity for an effort to paint others’ lead figures (see PNG) in the late ’80s.

Integral was prepended when I needed to complicate the name, seeing as there were already a few uses of Carp on SoundCloud. I liked its multiple meanings and mathematical associations. And when Lowtax’s girlfriend on Something Awful used Integral, I was struck by its potential as part of a handle.


- What equipment do you use to create music?


early → [...] → latest


* c64 (trackers) → Amiga (Perfect Sound) → many homebuilt Windows workstations

* Celeron 300A → AMD Ryzen 9 5900X

* Sound Blasters (Live, Audigy, X-Fi) → UR22mkII Steinberg Audio Interface

* Computer speakers → Event Audio monitors → KRK Rokit 5 monitors + sub

* Perfect Sound → trackers → Reason → Cubase 5 → Nuendo → Cubase Pro 15

* Waves Platinum + Infected Mushroom Pusher (amazing plugin), PaulStretch 

* Cool Edit Pro → Sound Forge → Wavelab

* Griffin PowerMate → Mackie Big Knob

* Casio CZ 101 → Casio CZ 1 + VZ-10M

* Harbinger 8-channel mixer

* MXL condenser mic


- tell us about your Biography as artist


I've identified as an artist since childhood and try to look at what others ignore. This includes a foundational fascination with art as a way to express ideas that must be felt to be understood. Combining that with a deep need to understand systems has led to the tracks on SoundCloud and the choice of tools used to produce them.

- which are your music / artistic Influences


My earliest love is the band Art of Noise, which I first encountered during the ’80s breakdancing craze.


Others: 101 Strings Orchestra / 13th Floor Elevators / 808 State / The Afghan Whigs / Alien Sex Fiend

The Animals / Aphex Twin / Bauhaus / The Beatles / Beck / Big Country / Bjork / Black Flag

Blancmange / Blutengel / Boards of Canada / Brian Eno / Butthole Surfers / Cabaret Voltaire / Caribou

The Cars / Casiokids / Cat Stevens / cEvin Key / The Chemical Brothers / Circle Jerks / The Clash

The Clientele / Coil  /Covenant / Cranes / The Crystal Method / The Cure / DAF / Daft Punk

The Damage Manual / David Bowie / Dead Kennedys / Dead or Alive / Depeche Mode / Devo

DJ Shadow / Don Mclean / The Doors / Doubting Thomas / Echo & The Bunnymen / Ed Askew

Einstürzende Neubauten / ELO / Enigma / Erasure / Eurythmics / Fad Gadget / The Fixx

The Flaming Lips / Frank Zappa / Frankie Goes to Hollywood / French 78 / Front 242

Frontline Assembly / Gabriel & Dresden / Gary Numan / Gliss / The Hacker / Haujobb

Hope Sandoval / The Human League / Iggy Pop / Iron Butterfly / James Taylor / Jane's Addiction

Janis Joplin / Japan / The Jesus and Mary Chain / Jethro Tull / Jim Croce / Jimi Hendrix / Joe Cocker

Joe Pug / John Lennon / Johnny Cash / Joy Division / Kate Bush / Killing Joke / The Kills / The Kinks

Kirlian Camera / The Knife / Kraftwerk / Laibach / Lead into Gold / Lebanon Hanover / 

Led Zeppelin (1-3) / The Legendary Pink Dots / Maps / Massive Attack / Mazzy Star /

MC 900 Ft. Jesus / Meat Beat Manifesto / Merle Haggard / Ministry / Moby / The Moody Blues / 

Morrissey / NamNamBulu / Neophyte / New Order / Nick Cave / Nine Inch Nails / Noisecontrollers /

Nuclear Bubble Wrap / ohGr / Oingo Boingo / The Orb / OMD / Pere Ubu / Pet Shop Boys / 

Peter Gabriel (early) / Pigface / Pink Floyd / Pixies / PJ Harvey / A Place to Bury Strangers / 

The Pogues / Portishead / Primus / The Psychedelic Furs / Psychic TV / PIL / Queen / Radiohead / 

Red Hot Chili Peppers (early) / Revolting Cocks / Robert Johnson and Punchdrunks / Roxy Music /

Roy Orbison / Royksopp / Rush / Seabound / Severed Heads / Sex Gang Children / Sex Pistols / 

She Past Away / Sheep on Drugs / Silver Apples / Simple Minds / Skinny Puppy / The Smiths / 

Soft Cell / The Soft Moon / Squarepusher / The Sugarcubes / Suicide / Supertramp / Swans /

Syd Barret / Talk Talk / Talking Heads / Tangerine Dream / The Tear Garden / Television /

They Might Be Giants / Thompson Twins / Throbbing Gristle  / Tones On Tail / Tricky / The Turtles / 

Tweaker / UB40 / Ultravox / Underworld / Vangelis / The Velvet Underground / Venetian Snares / 

Violent Femmes / VNV Nation / Waylon Jennings / The Who / Willie Nelson / Wolfsheim /

X / XTC / Yaz / Yello / µ-Ziq



- favorite EP/Album composed by you?


The latest tracks on SoundCloud and a few from earlier.

https://soundcloud.com/integral-carp/tracks

https://soundcloud.com/integral-carp/albums


- favorite music platforms? why?


As an artist? SoundCloud. But more by default than by preference. It was a far better fit when community was the focus.



- any funny anecdote in the composition of a track or album?


Pieces That Don't Fit was a false positive. The perspective was tied to a new antidepressant. The view didn't last, for a variety of reasons.  




- news for 2026/2027?


I've started experimenting again.



- any message to your listeners?


Reality appears as nested relational systems. Parts sit within parts. Each is shaped by what surrounds it and by what it contains. Understanding of that reality stays local and provisional. Models get made. Experience gets compressed into stories. Predictions form about what comes next. Learning happens when the world resists those predictions. 


Truth is not something anyone possesses. It is encountered through constraint. It shows up in what remains reliable under strain. It appears in what survives translation between perspectives. It registers in what keeps imposing a cost when ignored. A worldview remains a working draft that should stay capable of being changed by what it encounters.


This points toward an ethic of humility. It also points toward reciprocity and contact. People receive equal basic standing. They get met where they are. Intelligence means less about having the right model than about remaining responsive to reality, especially when reality shows that the model is incomplete.


What Holds Under Pressure 

https://archive.org/details/what-holds-under-pressure-v012







Totally apart here is some of Software I Worked On: