Sound recordings by Czech noisemaker since 1994.
Today we did a written interview to RDKPL, experimental noise artist from Czech.
Sábila Orbe blogsite for interviews, music recommendations and his netlabels: Dawn of Darkness (ex-Cian Orbe/Witch Spectra/Internet Daemon)
DARK EXPERIMENTAL / FREE MUSIC NETLABEL RUNNED BY SÁBILA ORBE. FREE DOWNLOAD ALL RELEASES AT: https://archive.org/details/@dawn_of_darknes...
Sound recordings by Czech noisemaker since 1994.
Today we did a written interview to RDKPL, experimental noise artist from Czech.
Today we did a written interview to the Austin, texas multi-genre artist: X-M0rtal // (X-MORTAL)
His work is mainly known on witch house, industrial, dungeon synth and vaporwave genres.
https://soundcloud.com/xmortal
https://www.facebook.com/XMORTALMUSIC
https://vimeo.com/user159774247
https://celestialmusicnetwork.com/artists-xm0rtal/
SimonZer0 project: https://archive.org/search?query=creator%3A%22SimonZer0%22
-What is the meaning and concept behind the name of your music project?
Xm0rtal is named for the concept of going beyond life and into the future, it is a message to living after I am gone.
-what equipment do you use to create music?
I use a MacBook Pro and Ableton live mostly, I play an Arturia 88 key keyboard for the leads and many of the riffs and I have a lot of analog gear but only some of it makes it’s way into the songs I create.
-Biography
I began making music in 1993 in high school, and joined a few rock bands from then to 1997-98. I listened to Throbbing Gristle and decided I didn’t need to make music the regular way and started recording myself playing what synths I had and drum machines. I went through many DAWS and programs until I settled on Abelton around 2010. I have been putting out music from 1999 till now and in the last year I have joined a rock band and played several shows with them which has expanded my palette and given me more tools to express my self.
-Influences
I am influenced by many bands, Bowie, Bauhaus, The Beatles, Throbbing Gristle, The Velvet Underground, Blvck Ceiling, Skinny Puppy and Brian Eno.
-Underground net label bands
I like Barbeleth, on Lux Aura label, also Radio Vril (aka ▼HRIL Y▲) and many bands that are my friends. I have so many friends in the Witch House scene I lose track.
https://luxaura.bandcamp.com/album/a-t-2
-local influence
Yes I incorporate many Texas styles, especially Houston trap sounds, Texas Funk in my Organ playing live and I collaborate with other Texas acts and play live shows in Austin with my rock band which performs many songs in Spanish . I also work with local rappers on beats.
https://xmortal.bandcamp.com/album/beach
-favorite EP composed by you?
My favorite is probably my Nudist Beach EP but I also really enjoy my Dungeon synth tracks and Witch House records, I have made so many over the years it is hard to choose!
-preferred platforms
Soundcloud, Bandcamp, YouTube and then live performance.
- Do you Play live?
I play live in a rock band, Fuzz Goblin, and I will play live as a solo act too in the future. I was worried about so anything’s but moving the gear is the hardest part!
- news for 2026?
I have many, many songs completed that are unreleased and I’m trying to get some funding from my city to make art. I am playing live keys and able to do things I wasn’t able to do just last year, and I am comfortable playing live now so look out for a few shows and maybe even merch and other cool things!
-message to the fans
I try to be accessible to you all and interact and I am very open to chatting with any fans of my music, I really appreciate my supporters!
Kosmische Clutharachán / Bergstresser / Secluded Interval is multi genre composer. Mainly Ambient, Post-Rock, Experimental, Indie, Postmodern Jazz, Avant Garde, Dub, Electronic, Noise & Improvisation genres. From California, US.
- What is the meaning and the concept behind the name of your music project?
Thank you for inviting me to do this interview. I really appreciate it.
Currently, I have 3 projects: Kosmische Clutharachán (aka: Kosmik Leprechaun), Bergstresser and Secluded Interval.
Since 1995, Kosmische Clutharachán has been the project I've worked with the most and it also has the most releases (43 albums as of the date of this interview). I'd somewhat loosly describe the sound as "experimental, psychedelic, electronic, indie, noise". The project's previous name (Kosmik Leprechaun) was inspired by the unofficial mid 1970's German krautrock supergroup, The Cosmic Jokers.
In 2021, I changed the name to Kosmische Clutharachán, intending to reflect a more mature side of the project, and with more thought put into the composition and production standards. I chose the German spelling of "kosmische" over "kosmik". And, the old English-Irish word "clutharachán" was chosen to distinguish it from the better-known word "leprechaun". Clutharacháns and leprechauns are similar, but not exactly the same. I relate more to the former, rather than the latter.
Kosmische Clutharachán / Kosmik Leprechaun (Bandcamp):
https://kosmikleprechaun.bandcamp.com/
The 2nd project I have is a raw, lo-fi, heavy, guitar-driven, instrumental noise-metal thing called Bergstresser. I started that in 2022, and I've recorded 3 EP's available under that name.
Officially, the word Bergstresser is an Americanized form of the German word "Bergsträsser", which is a topographic name for "someone who lives by a mountain road". But, for me, Bergstresser means something akin to "breaking a pathway through miles of solid bed rock, mountains and icebergs". The name also has an unintended psychologial edge to it that I enjoy, with "stresser" being part of the word.
You might think that with all these German names and words that I, myself, am German! But, no. I'm not. I was born in the United States. I have no known German ancestry that I can account for. Nothing in my DNA shows anything specifically from that region of Europe. I just simply love Krautrock and Stockhausen, man. Both of those things are very very German!
Bergstresser (Bandcamp):
https://bergstresser.bandcamp.com/
The 3rd project I have is a somewhat melancholy, instrumental, electronic pop-oriented thing called Secluded Interval, which I started in 2023, and I have 3 releases out under that name (all of which can be found at the Kosmische Clutharachán / Kosmik Leprechaun Bandcamp page). To me, the name Secluded Interval simply means "music made in isolation", which is essentially what it is, really.
Secluded Interval (Bandcamp):
https://kosmikleprechaun.bandcamp.com/
Other than those 3 projects, I've also been involved with tons of other projects. I can't mention everything I've done in this interview, because it would go on for days. But, much of that material has been released, independently. But, a lot of it, especially my really early stuff, has been lost to time and will probably never be heard again, unless the unlikely happens and someone finds the actual cassettes and CD-r's that I released from 1993 to 2005 and gives them to me to re-release. I just don't have them anymore.
- What equipment do you use for create music?
My chief instruments are guitars, bass, drums, synthesizers, keyboards and computers. I used to sing. But, I don't do that anymore. I typically record using a Tascam DP-01 FX digital 8-track machine. And, I program and edit everything using Ableton Live on my laptop. For effects, I use a single multi-effect guitar pedal and whatever else is available, via software. For mastering, I use Audacity. For instrument amplification and studio monitering, I use a large JVC HX-GX7 stereo system with built-in subwoofers to get the job done. If it's late at night and I'm creating music, I use headphones.
- Tell us a little biography about your project, when you started to make music?
Started playing music in 1984 when my parents gave me an acoustic guitar for my 8th birthday. In 1985, they gave me a synthesizer. I didn't know how to play my instruments back then, so I just made noise, which drove my mother crazy. My grandmother gave me my first electric guitar and I started recording my earliest solo stuff on a couple of boomboxes in 1988. In 1989, I formed my first grindcore band while in middle school. Later, in high school, I released my first home-dubbed cassettes through my label Hot Damn! Tapes (which later became known as Completely Gone Recordings). In 1994, I got my first 4-track cassette recorder, prompting me to start taking my music a bit more seriously.
Completely Gone Recordings (Bandcamp):
https://completelygonerecordings.bandcamp.com/
- Who are your main music and artistic influences?
The list has changed over the years. As of today, I can say I am still influenced by Arnold Schoenberg, early Ash Ra Tempel, Can, early Blue Cheer, Cocteau Twins, David Axelrod, EPMD, Eric B. & Rakim, Erik Satie, Flying Saucer Attack, Frédéric Chopin, God, Godflesh, Gong, György Ligeti, Herbie Hancock, Iannis Xenakis, Jesu, John Coltrane, Karlheinz Stockhausen, Klaus Schulze, Kraftwerk, Men I Trust, Merzbow, Meshuggah, Miles Davis, My Bloody Valentine, early Napalm Death, early Public Image Ltd., Rocketship, Slowdive, Slug, early Soft Machine, Stereolab, Sun Ra, early Swans, Syd Barrett, early Tangerine Dream, Techno Animal, The Velvet Underground, Third Eye Foundation, early WuTang Clan and stuff like that.
- What underground artists from the netlabel scene do you like?
There's a lot of them. Off the top of my head, I can definitely say that I like Anthony Osborne, Antoine Trauma, Antonella Eye Porcelluzzi, Barbara Brogi, Copperhead, Devin Sarno, EISENLAGER, Fernando Bocadillos, Filmy Ghost, Hell Seb, Humanfobia, I,Eternal, I.v. Martinez, Jaime Munárriz, James Hoehl, Kontrolled Demolition, Lefterna, LR Friberg, Martin MarK, Mean Flow, M.NOMIZED, Night Mode, nordBeck, Quint Baker, RDKPL, Sean Derrick Cooper Marquardt, Secant Prime, Sound_00, Thomas Park, V, Vulnerlogocentrism, WHΛLT THISИEY, Wilfried Hanrath, Yaka╧anima and etc.
- Do you have some influence from your country in your music?
You know, if I'm honest, not too much. While I love a lot of the music from the 1950's until the mid 2000's, most of the current music from my country doesn't excite me. It seems like nearly all of the music I like comes from everywhere but the United States (except for jazz, which I still love). I don't know if it's because I've lived here my whole life, and therefore I've become jaded to music from my own country. But, for whatever reason, I just can't get into many artists from the states these days. I don't find a lot of the current culture in my country to be very interesting, sadly.
- What is your favorite album/ep composed by you? And why?
That's a good question. I don't know. I guess I would probably say my most recent material is usually my favourite. Some of what I've written over the years is exactly the kind of music I've always wanted to listen to. So, it's a success in that regard. But, there's some stuff I've recorded which is just dreadful for me to listen to, and I hesitate to even mention those albums. Lol.
- What are your preferred music platforms/websites? Why?
When I first began uploading my music online, I did it via the Internet Archive, where artist's can't really make any money for their work. After 10 years of doing that, someone suggested I release everything on Bandcamp. He was right. Bandcamp actually pays the artist's who earn via their platform a proper sum of money, while protecting their copyrights and dealing with shenanagans. There's nothing quite like Bandcamp at the moment. As for promotion, I just post links to my releases on Facebook. I also publish music videos on Completely Gone Recordings' YouTube site.
Completely Gone Recordings (YouTube):
https://www.youtube.com/@completelygonerecordings
- Any funny anecdote in the composition of a track or an album?
I know for a fact that many utterly ridiculous things have happened over the years, with regards to my music and label. One recent example I can share... A few months ago, I released an album on Completely Gone Recordings by an artist that I like who shall go unnamed in this interview. On his album was an unlicenced sample of a Carl Crack vocal from an Atari Teenage Riot track. Assuming the sample was cleared, I didn't think much about it at the time of releasing the album. But, maybe a month, or so after the album's release, Alec Empire (Atari Teenage Riot's mainman) himself emailed me, inquiring how the artist and label was granted permission to use Carl Crack's vocal sample. After realizing what had happened, I ended up apologizing to Alec Empire and the track with the sample was scrubbed from the album. Luckily, Alec was a gentleman, and he let it go without another word. It could've been a disaster, though. I gotta' watch it. I mean, the last person I wish to irk is Alec Empire!!
- Do you play live? How was the experience?
I've played gigs since 1994. Most of my experiences performing live has been generally positive. I would love to perform some gigs with a group right now. But, it's become quite unfeasible to play live music nowadays. Just the cost of setting up a simple 3 hour time slot for a band to run through their set a couple of times at a local rehearsal studio is so overpriced, many of the studios I used to frequent have closed down because few musicians can afford it anymore.
- Any news for 2025?
Just going to keep moving forward one day at a time and hopefully release some genuinely rad sounds along the way. That's the goal.
- Do you want to say anything else to your listeners?
Yeah, definitely. I want to say thank you for interviewing me. Thanks to everyone for checking out my music, really. Thanks for listening and showing all the support. Thanks to my friends, family, collaborators and everyone I've worked with in the past. And, obviously, thanks to the people for buying my music. You know? Really appreciated.
Lastly, keep an open mind about everything. Don't be too hard on yourself. Be creative, if the spirit moves you. And, if you don't already know... be kind to animals and to vulnerable people in society, man. That's all I have to say. Peace.
Innocent Darkness is a witch house, dark experimental artist from Antwerpen, Belgium.-
https://www.youtube.com/@Innocentdarkness72/releases
https://open.spotify.com/intl-es/artist/6SdV65mqXg69ZmE3S9TU8o
https://hearthis.at/innocent-darkness
- What is the meaning and the concept behind the name of your music project?
My old name was Dj, Davidvtdeathrock, now a’m into witchhouse that name was
not ok to use anymore !
So Innocent Darkness was born !
- What equipment do you use for create music?
+novation circuit tracks
+Roland MC-101 Groovebox
+Arturia Drumbrute,
+Arturia Minilab mkII
+Korg volca keys
+Korg volca Sampler
The software i use is Bitwig studio pro ! , but going to move to Ableton Live 12 now.
- Tell us a little biography about your project, when you started to make music?
+ why i started, making music, it was because a’m a computer nerd, and use linux pop_os / Debian on all my systems, i want learn new stuff all the time, never sit still !
+ and a bit , also by the 3 arstist that made i think, hey yes maybe i can do this !
+ Noire Antidote
+ MONOMORTE
+ White Ring
- Who are your main music and artistic influences?
+ Sidewalks and skeletons
+ DreamBlack ( later on )
- What underground artists from the netlabel scene do you like?
+ Realy this a hard one : huummmm all of them,,,,,
- Do you have some influence from your country in your music?
+ Belgium has NO witchhouse artist i know, not real one one who try’d was FAR.
- What is your favorite album/ep composed by you? And why?
My favorite works are the remixes who appears on these albums by other artists:
+ Dazzling Malicious – The Ghost Cat & The Witch House:
https://dzzlingmliciousdazzlingmalicious.bandcamp.com/track/rmx-by-dj-innocent-darkness
+ Death Witch (Dj.Ⴈnnocen† DΔRKNEζζ Mix))-Χ-M0R†▲L* – Anti Baptist:
https://luxaura.bandcamp.com/track/death-witch-dj-nnocen-d-rkne-mix
+ ßęđŧīmĕ Šŧōŗĩėş*, BΛNMΛSKIM* – Ňęċŗōmąŋċĕŗ
- What are your preferred music platforms/websites? Why?
Bandcamp / youtube / hearthis.at
- Any funny anecdote in the composition of a track or an album?
+ yes not real funny this but ive this song Last Breath, Final Storm, i just made the song that night wen my mom died , sadly after 24 years fighting parkinsons.
- Do you play live? How was the experience?
+ I planning this soon in 2025, with Noire Antidote, if he want’s this, and mybe with MONOMORTE, and ▲BSTR▲CKTBL▲CK
- Any news for 2025?
+ I planning this soon in 2025, with Noire Antidote, if he want’s this, and mybe with MONOMORTE, and ▲BSTR▲CKTBL▲CK
- Do you want to say anything else to your listeners?
+ Music making is dammm hard, to learn, and many i see using suno,ai to make music,
+ i just think, it’s a great tool, but it uses our music to learn, there my music is free to use a’m ok with this but other artist are not happy to see this to happen,
+ just try, to support others, it not easy get share music these day’s with all the rulse outthere !
+ be kind to others, hate and war , is not the way,
+ thanks for have me here, to this interview.
INTERVIEW TO Cyanbaal
(Patrick M.
Wenzel aka Georg Kasperski & Haether Wayward)
https://cyanbaal.bandcamp.com/
http://www.darksignmusic.de/?page_id=2363
https://www.facebook.com/Cyanbaal
https://open.spotify.com/artist/4yBqcQdNrIsvUrqNqQ8nFx
*HW: questions answered by Heather Wayward
First say welcome to this
written interview for Cian Orbe blog. Today we make an interview to the german/american industrial dark electronic duo Cyanbaal.
-What means the name: Cyanbaal?
Actually, "Cyanbaal" has no meaning. But someone from "Musiktelegramm Online Magazine" found out. He wrote:
"Cyan is the color that is neither green nor blue. And depending on mythology, Baal is a demon or a god.
Cyanbaal is living contradiction. You don't know what it is. " I really like this.
- Which are the concept behind your music, how you categorize your own music?
We want to create creepy, strange and morbid stories in music. Corresponding images should arise in the listener's head. We use all means of sound that are available to us. Analog, digital synthesizers, samplers, field recordings, drum computers .....
Everything that is suitable to achieve appropriate sounds is used.
It should mostly sound atmospheric and scary.
Due to the diverse musical interests that influence us, it is therefore difficult to find a clear allocation.
For the sake of simplicity, I have called it Electro Dark Wave / Post Industrial.
Sometimes there are also synth pop elements or cold wave.
I also like to break through listening habits or deviate from classic arrangements.
-This year we know a new Cyanbaal member: Haether Wayward. tell us about her.
We got to know each other through the social networks. In autumn 2019 we met with several Dark Electro Music fans in East Germany. There we went to concerts by „Fix8 Sed8“ and „Pyroline“. At the end of the weekend we had the idea to make music together. I've been looking for a singer for a long time.
We share a lot of interests and musically we fit together perfectly. It is a lot of fun to work with her. She has a lot of good ideas and turns songs that I have sometimes given up into something special.
HW /// How do you feel the experience of be member of Cyanbaal?
It has been amazingly fun. I was already a huge fan of Patrick before we met. I very much enjoy this very unique style of minimalistic dark, creepy songs with humor. Patrick has welcomed me to the project with openness and gave me full creative freedom and has embraced it. Right away he encouraged my own writings and vocals. It has really worked out perfectly. He pulls something out of me that surprises myself at times. We have made a lot of progress in one album together and it keeps going as the next album is already in process. Being across the pond from each other can be challenging but many trips are already in planning. Just waiting for the world to open again.
HW /// Favorite Bands, Music projects?
My all time favorite band is Click Click. I also like more commonly known bands like Front Line Assembly, Skinny Puppy, Covenant, Solitary Experiments which all had good time periods. But I like many different styles like This Mortal Coil, Numb, Coil, Diorama, Soil and Eclipse, and more recent bands like Statiqbloom, Fix8:Sed8 and The Opposer Divine. I am currently listening to Amorphus, Circumpolar, Black Nail Cabaret and Placebo Effect. I have interests in further listing to Minuit Machine, 11 grams, Frame of Mind. I even enjoy projects like TV HWY and Access to Arasaka.
HW/// Are you member of other music projects? do you had some in the past?
I have been into the ‘industrial/gothic’ scene since the early mid 80s. Cyanbaal has been my only personal project. I have worked a little with some bands doing intimate reviews and by providing sampling. I am working along side James Mendez of Jihad for a small fun project. Others have approached me about making a song or so. I am open to the idea for I think all artists have something to express and together with another can be a completely different experience. However, there is no one out there making music like Cyanbaal and I am very proud to be a part of this project.
- Do you release music only under Cyanbaal name of you have other monikers or music projects, bands?
At the moment I only publish under Cyanbaal. But I like to work with other people, even if it unfortunately happens very rarely.
I'm still working on another project. It's a Dark Ambient Project and I hope to publish something in the near future.
- In what year did you start making music? which was your first band/project?
I am already older. It must have been 1994. The music project / band was called "Syndrom 21", later "Schadow Basement". "Syndrome 21" was too reminiscent of "Trisome 21".
We had a small studio in a basement. In our house on Schadowstrasse. Hence the name. People always thought it should be called "Shadow Basement". But the name came from Johan Gottfried Schadow, the sculptor. So Schadow, not shadow. :)
It wasn't until 2014 that I founded "Cyanbaal". But very, very many songs are old "Schadow Basment" songs.
- Which inspiration you have from the place where you live? There's some inspiration from your country in your music?
I like my home region very much. I don't know if it inspires me musically. Probably a little. The place I live in is very idyllic and has a little dark romance. We have a lot of hilly forests. I call "Buchholz" (the place I live in) the "Dunwich" of Germany. In the vicinity there are many old castle ruins but also old collieries and steelworks that are almost all shut down today. We call it industrial romance. Maybe that's the reason for the industrial elements in a lot of the songs. :)
- Which are your favorite music projects and visual/plastic artists who inspire your work?
I'm a huge "Skinny Puppy" fan. As far as Gothic Rock is concerned, "Fields of the Nephilim" was my number one. These bands have accompanied me in my life. Today I like to hear "Lustmord" and Atrium Carceri. I get calmer with age. :)
As for art, I like fantastic art, surealism. Max Ernst, Rene Magritte, Joan Miro and of course H. R. Giger. :)
But my music is very much influenced by writers and films. I'm a huge H.P. Lovecraft fan. I also like Neil Gaiman, David Lynch and Tim Burton.
HW: Click Click is my biggest influence. Their unleashed freedom of expression is pure. Edward Ka-Spel has also been largely influential. Honestly my life has not been a quiet one, and I draw a lot of influence from personal experience and dreams. I am also a Lovecraft and Burton fan, with a little bit of Anne Rice and Clive Barker.
- How do you see the current industrial, dark electronic music scene?
I think the music has developed a lot in the direction of "techno". Much sounds very similar!
I have the impression that the musicians are focusing to be evil and aggressive.
It's okay, but it's not quite my world. I like it more subtle and more eerie, with a dark mood. And it's nice when it's more experimental and maybe breaks listening habits.
To be honest I don't know a lot of new bands.
Back then I used to go to clubs or festivals more often.
Today I listen to many old bands and reminisce about them. But every now and then I find current projects and bands that I like. It's just hard to find these bands today.
HW: Ive seen a huge uprising in the past 10 or so years. A lot try to mimic the sounds of yesteryear. But there has been a decent number of really great bands. I do like the “Post punk” sound but too many are doing it and so only a few really stand out. The “EBM/Dark Wave” scene has really blossomed as well. Still, It’s a tough go at finding something that doesn’t “sound like” someone has done it before. But those who do original material really shine. I hate labels. So I won’t even go into the millions of “genres” that could be mentioned here. Good music is a matter of perspective. Unique music is hard to find.
- Do you play live performances?
So far, Cyanbaal has been a pure studio project.
But we will actually play live in winter 2021/22.
We got some nice inquiries and we were very happy about it. So we decided to give a couple of concerts.
- Which is your favorite song and album created by yourself?
I fluctuate between "Cautionary Tales" and "Living Tunnel".
"Cautionary Tales" feels a little bit more varied to me. Haether alone has greatly upgraded Cyanbaal. On the current album, the vocal tracks are much better too.
The question of my favorite song is difficult.
I like "Shimmering Darkness" a lot. But I also really like "Madame Degradation". It's very dark. Otherwise "Mirage", "Schizophrenia" and "Dancing Idiots".
HW: I can really only comment on “Cautionary Tales”. As writer, personally I like “Taken”. It has deep meaning from 30 years of extorted past experiences. “Mirage” does too but with “Taken” it really comes out. As a vocalist, my favorite song is “No Escape”. Its heartbreakingly beautiful about a horrible situation. After that would be “Android Love Failing”. Its the most artistic.
- Tell us about the concept & the creation process of one of your latest works: "Cautionary Tales" released by DarkSIGN Records
stream link: https://open.spotify.com/album/2eh1rSHaPhTTqLVjBMc6dO
Oh, that was very exciting. During the creation of the album, Heather joined.
Some songs were already finished: "Shimmering Darkness", "Repressive Gold", "Figurative Self Destruction".
But many songs were still in the process of being created or in the song archive. I had sent some material to Haether. She then developed many vocal melodies and lyrics. She made suggestions for changes and took care of samples a lot. Many songs would have not turned out so well with out her ideas.
Some songs I had already written off, but by her contributions they became great songs.
Some songs are classic eerie stories set to music.
But there are also songs on the album that deal with gloomy SciFi stories and prognoses.
Some songs are inspired by SciFi books or just what might happen in the near future.
- Tell us about the underground music scene in Germany or in your zone. and which are your favorite artists from your country?
The region in which I live used to be a stronghold of the black scene. We had the legendary club called „Zwischenfall (Incident)“. Unfortunately it burned down. There was nothing like it later.
But there were many other clubs in our region where the scene has evolved.
But today, I think, a lot is going on in East Germany.
There is also the "Wave Gothic Treffen" and other great festivals every year. The cities of Leipzig and Dresden have nice clubs.
My favorite artists from Germany are "Haus Arafna, Echo West and" Blue Angel Lounge "(no dark electro).
HW: In the US our scene is very small with isolated spots in places like NY, Denver, Texas and LA. However some spots are emerging and the scene is growing. I can’t say I have looked up where every band is from but I am always on the look out for new locals bands. Nearest me, Baltimore has produced some interesting projects and seems to be a place that has laid in waiting for a long time. Bands Such as Kiss of the Whip, (the late) Precision Field, and Dan Barret of Venal Flesh and Worms of the Earth all call Baltimore home. SYZYGYX is from next door DC. My favorite bands from the eastern US would have to be Statiqbloom (NY) and Crüxshadows (FL).
- Any anecdote that you want to share with us in the creation of some track?
Yes! It's not always as serious and gloomy as it sounds. Often a little black humor flows into our songs.
Madame Degradation is very dark but actually it's all about the "Corpse Bride" by Tim Burton "
And in "Dancing Idiots" there is a reference to a style of music that I really like. "I like the electric shock therapy, POWERELECTRONIC".
Many people think of power electronics as noise or soul torture. :).
And "Clipped Wings" speaks for itself!
HW: Yes to add to Patrick, a little humor is often there. “Treachery” is about a Raven that would come to me almost every evening and hang out in the tree where I work. He stays for hours. So therefore he has his own song.
- Any news for 2021 in your music project?
We'd like to release our fourth album next year.
Otherwise we will probably start our concerts in Winter 2021/22.
And maybe the first release for my Dark Ambient project will come. That would be great.
- Any other thing that you want to say to your listeners?
Yes! Make music! Be creative! It's a lot of fun. Much more is possible today than in the past.
And it should always be about fun, not money. And thanks to the people who listen our music!
CYANBAAL APPAREANCES IN CIAN ORBE COMPILATIONS AND SINGLE TRACKS:
https://archive.org/search.php?query=cyanbaal