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Since 2024 Dawn of Darkness Netlabel

  DARK EXPERIMENTAL / FREE MUSIC NETLABEL RUNNED BY SÁBILA ORBE. FREE DOWNLOAD ALL RELEASES AT: https://archive.org/details/@dawn_of_darknes...

Tuesday, February 22, 2022

dreamcore/weirdcore aesthetic on witch house artworks?

▼ DREAMS ON THE WITCH HOUSE MUSIC
 
 
The link between dreams thematic started on witch house music since the beginning of the genre, the Phantasma Disques compilations about Twin Peaks (tv serie mainly about dreams and parallel realities) and artists like Lke Radio, Pwin 山 Teaks, Enix Inri, Ghent, Omebi &▲NDRΛS was inspired in the early years by dreams and surrealism.

Recently finally arrives a sort of new tendence, some witchy artists added the dreamcore & weirdcore aesthetic as concept to their music artworks. Coincidence? Is maybe this a new direction for keep alive that old nostalgia to witch house old school early days of 2010 to 2012?  the magic, the seapunk waves, the smell of bizarre experimental vibes, the weird artworks with collages,,.. returned all these things to the witch house conjure??? or is just a momentary lapse in the evolution of this undead dark genre?

Only the future will tell us the history of witch haus / draghaus / haunted house / black house / witchy mansion or commonly named as witch house (thanks photoplane for your contribution to art).



what is dreamcore?: https://aesthetics.fandom.com/wiki/Dreamcore

what is weirdcore: https://aesthetics.fandom.com/wiki/Weirdcore

👁️👁️👁️👁️👁️👁️👁️👁️👁️

(2022) Humanfobia - Into The Nightmarecore (EP​)​:
 


(2021) Yaka-anima - Third Eye Dimension:
(2021) Veil of Thorns - Meaning Died Destroying:
 
 
 
 

(2021) deth_cheater - ☆RIB $NAP☆:
 
 
 
(2021) ƸȒƩƮǏƇ - In Pitfall:
 


Thursday, December 30, 2021

Is Witch House really dead??? 2021

Is witch house dead? that question started aprox. since end 2012. But nobody have really a concrete answer, or maybe most prefer ignore this thing. 

With almost all early labels inactive, and most early artists inactive too. And even some truly defunct like "Antonio Urdiales (ponyboy)", "Lovedied" and the legendary "White Ring" first vocalist "Kendra Malia", the question stills in analysis.....

Another important fact, is almost any early artists continue making witch house music. Some examples: "zxz" now is making industrial, "Salem" is active but without their female vocalist: "Heather Marlatt" and their sound is now like just easy listening chill hop. "Balam Acab" turned into something like idm, deconstructed. The list is very long and i don't want to make this blog entry too long.

👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲

Between 2010 to 2012, there was hundred, a lot of free tracks on soundcloud. Sounds weird, but yes, witch house was free download on the beginning. With mostly artists making something highly experimental, noisy and atmospheric. Mixing chopped and screwed with ritualistic sounds.-

Was the top sensation on those years, same than this 2021 is the dreamcore / weirdcore digital art aesthetic. Was the same thing on that short years. 

The artist community involved in the genre, commented in that years on tracks on soundcloud between each other. All made it just for fun, without envy, without the intention to be popular. Soundcloud was invaded by tracks without titles, only with unicode texts, symbols and words similar to spells and invocations.Was a very unique stage in the history of dark electronic music.

Most albums was released via mediafire, 4shared file transfer services. Also on the internet archive, jamendo and also at myspace. A lot of v/a compilations was shared via blogs and links totally for free download. Same thing in soundcloud and bandcamp. The 70% of releases was for free download.-

But sadly......the thing started to change with all the hipsters buying merchandising from TriAngles and Pendu Sound labels...Bandcamp started to became popular and at the end of 2012 all the underground thing was seducted by the smell of money.

Artists like Blvck Ceiling, Axius Link and SW&S becomes the mainstream pillars of the new sound after the forgotten glory of the old original cavernous experimental & chopped and screwed sound that was the true witch house music in the early years.

After the boom on 2012 of the album by "Crystal Castles" called "III" & the popularity of the duo "Crim3s" the sound of their genres: "trash rave" also called "newbreed". Happened a kind of confussion in all the listeners, adopting the idea that witch house  turned into something far to be experimental and more near to an alternative electronic style. 

The ritual, occult and the noisy drones was replaced for something melodic, danceable and totally commercial...

Hundred of new artists became clones of that previously mentioned  popular artists, and with the big influence of Crystal Castles too, after 2013, appeared hundred of copycats of this new "witch house"style...

Between 2014 to 2015. A prolific wave of russian artists took the control with the label: "Untitled Burial". And the initial experimental direction was abandoned totally by almost every artist.-

In 2016, the very important labels for the scene was closed; Aural Sects (US), Equilateral Records (Chile), Pale Noir (US) & МYТАНТФАНK (Russia). Sending to the witchy music genre almost to the extinction.

👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲👁️▲ 

Between 2017 to 2020: Labels like Hexx9 Records (US), Witch Dragons (Russia) & Witch Spectra continue the legacy of dark experimental, first witch house old school type style.-

On this 2021, the netlabels: EK4T3 (Italy), Skull Triangle Skull (Japan/Chile), Necromancia (Brazil), and Witch Spectra (Chile) (now known since this year as Post-Witch Compilations) are maybe the last breath and the nostalgic image of that glorious past.

Now the tagged as WH, are artists that sound totally equal between each other, clones of clones....pillars of the nu-goth scene with satanic symbols and with an appearance of bad boys, more near to black metal  than something truly ritual and focused on the occultism...

 

Maybe will be a resurrection of the genre? maybe always was a zombie and never was alive?? maybe all this was the imminent commercialization of something too much deep and beautiful for be real???.... or maybe this is the same thing than this genre was named by Pictureplane.... just a joke....

 

Tuesday, December 14, 2021

TOP 10 BEST BANDCAMP DARK MUSIC ALBUMS 2021 PT.2

▲▲NEW SECTION IN OUR BLOG. WE HOPE MAKE THIS EACH 6 MONTHS.▲

These are in my personal opinion the best albums (not ep's) from middle June to December.

I know that there's a couple of weeks for end this 2021. But i have my top ten ready now.

for see the top 10 from january to middle june. go to: https://cian-orbe-netlabel.blogspot.com/2021/06/top-10-best-bandcamp-dark-music-albums.html

 

NOT IN ORDER OF RELEVANCE.

 


 Artist: Juuyokka

album:  十四日 

link: https://ungaikyoprod.bandcamp.com/album/-

 country: France

Label:  Ungaikyo Prod

date: 01 September 2021

genres: dungeon synth, kabuki ambient

 

Artist: Wiosna97

album:  lowest level of mind ruin

link: https://lessthanone.bandcamp.com/album/lowest-level-of-mind-ruin

 country: U.K.

Label:  <1 

date: 08 November 2021

genres: dark ambient, dreamcore, noise, drone

 

Artist: Nurses With Knives

album:  Just A Fading Memory : The Collected Edition

link: https://earsheltering.bandcamp.com/album/just-a-fading-memory-the-collected-edition

 country: France

Label: earsheltering

date: 16 October 2021

genres: dark ambient, soundtrack



Artist: {AN} EeL

album:  So Lonely ~

link: https://panpanpanaviandistresscall.bandcamp.com/album/so-lonely

 country: Canadá

Label: self-released

date: 5 November 2021

genres: dark ambient, soundtrack, sound art, noise, improvised



Artist: 人形

album:  sick

link: https://dialatedmusicproductions.bandcamp.com/album/--4

 country: -

Label: DMP

date: 12 December 2021

genres: vapordrone, dreamcore, mallsoft, drone
 
 

Artist: Hell is Carbon

album:  Sonic Spectres

link: https://helliscarbon.bandcamp.com/album/sonic-spectres

 country: USA

Label: Self-released

date: 6 August 2021

genres: psychedelic, noise rock



Artist: Muwn X Mean Flow

album:  Dream 8 Remixed

link: https://meanflow.bandcamp.com/album/muwn-dream-8-remixed

 country: Greece

Label: Self-released

date: 14 December 2021

genres: abstract ambient, ritual drone, soundtrack
 
 

Artist: tÆ ┬▌mΣ

album: matcha

link: https://boguscollective.bandcamp.com/album/matcha

 country: -

Label: BOGUS Collective

date: 7 December 2021

genres: downtempo, vaporwave, synthwave, meditative
 



Artists: I, Eternal & El Zombie Espacial

album: Horror tales by Laiseca

link: https://hamfuggirecords.bandcamp.com/album/horror-tales-by-laiseca

 country: Spain

Label: HAMFUGGI Records

date: 2 December 2021

genres: dark ambient, soundtrack, sound poetry



Artists: Mike Benoit & Insectarium

album: Stories For Shadows

links: https://insectarium.bandcamp.com/album/stories-for-shadows

https://kalpamantra.bandcamp.com/album/stories-for-shadows

 country: U.K.

Label: Kalpamantra

date: 24 October 2021

genres: dark ambient, horror soundtrack, dark drone
 
 
 
special mentions:
 

Artist: Arcane Waves

album: Electronic Fields

link: https://arcanewaves.bandcamp.com/album/electronic-fields

 country: France

Label: Self-released

date: 20 July 2021

genres: drone, abstract ambient
 
 

Artist: Magic Bullet

album: Eleven Experiments In Trisecting Them

link: https://mickmagic.bandcamp.com/album/eleven-experiments-in-trisecting-them

 country: U.K.

Label: Self-released

date: 22 October 2021

genres: lo-fi, psychotronic, noise, evp experimental



Thursday, October 14, 2021

CIAN ORBE INFO




 
THIS WEB IS THE OFFICIAL BLOG OF CIAN ORBE NETLABEL
FOR INTERVIEWS, INFO ABOUT OUR MAIN ARTISTS
AND ALSO POR SUPPORT OTHER NON-PROFIT NETLABELS 
OF EXPERIMENTAL, WEIRDCORE & DARK ELECTRONIC MUSIC
 
SUB-NETLABELS: WITCH SPECTRA, INTERNET DAEMON & GOTHIC SPECTRA COMPILATIONS

Cian Orbe is a chilean non-profit Netlabel created by Sábila Orbe for support artists in ambient, dark ambient, dark new age, experimental electronic music & other not massive electronic genres.

All releases are under Creative Commons License (CC BY-NC-ND 4.0):
https://creativecommons.org/licenses/by-nc-nd/4.0/

For submissions send us your work on WAV format + A jpg cover min. 1400x1400px. Also mention your main info & links. via wetransfer, filemail or others. 
We recommed visit our full submission guidelines for have the complete information about our netlabel.
 

OFFICIAL WEBSITE WITH LINKS TO ALL RELEASES:
https://humanfobia.jimdofree.com/cian-orbe-netlabel/
RELEASES FROM NUMBER 210 AVAILABLES ON BANDCAMP :

https://cianorbenetlabel.bandcamp.com/
https://cianorbe2nd.bandcamp.com

Mirror Internet Archive: Releases from 01 to 154: 

Releases from 155 to 209: 
https://archive.org/details/fav-cian_orbe_collection_ii

if Internet Archvie is offline also 
Releases from 01 to 209 are available on: 
https://hearthis.at/cian-orbe-collection/#sets


*For updates & news please follow: 
https://www.facebook.com/cianorbenetlabel
 
  CIAN ORBE/WITCH SPECTRA NETLABELS TEAM

 Mist Spectra: Visual support for cover artworks and releases diffusion.


 Sábila Orbe: Netlabel founder, and management of all releases and material. 

 
Discover the full discography list of Sábila Orbe music projects in:
👻Humanfobia (with Mist Spectra): https://humanfobia.jimdofree.com/discography-ii/

*Support not massive genres / creative commons artists / people who make music for love to art / music that you can use without commercial purposes for your mixes, radio station, videos, short movies, video games, softwares, etc. just giving credit to the respective creator. / Discover the world of the underground music in netlabels / Support artists who really cares your opinion ///////**** in the other hand celebrities and millionaire famous artists don't care your difussion, don't care your birthday wishes, don't care fans, only cares money.The music industry is other tool of the system for create false idols and control masses. Open your mind.

Interview to Ed End (2021)

This time we did an Interview to the french prolific experimental composer: Ed End aka: Yoshiwaku, rADio eNd, PIRATE Tapes, A Symbiotic Experience, Symbol of Subversion, Invisible Ilusion between many other monikers.

https://yoshiwaku.bandcamp.com/

https://vividtribeofpsychics.bandcamp.com/

http://horsnorme.org/

https://ello.co/ed_end

https://joindiaspora.com/u/colibrinecrophile

https://archive.org/details/le-colibri-necrophile 

https://twinrealitiesdreamers.bandcamp.com/ 

https://soundcloud.com/vivid-tribe-of-psychics

 https://www.youtube.com/user/Yoshiwaku

https://www.youtube.com/user/LSD2017

https://panoramamix.tumblr.com/

https://radiofreealbemut.tumblr.com/ 

 
- What is the meaning of your artist/project name?

Ed End, for me is meaning the one who do not have one head. I think I’m an instrument, a medium who brings this music to earth but do not do it on my own. It’s also linked with my poet name Morne which means unborn in french. Ed End was first a long automatic poem wrote in Brocéliande. Next I chose to use this name for release my music. It’s also a blink eye about Ed Wood a way to do not forget that I’m an eternal beginner.


- Which is the concept behind your music project, how you categorize your own music?

Each of my projects are define by a concept, most using singular technical process.
Few early examples :
- OP was an attempt to show that you can create classical music without music theory.
- OresteS is based on replacing the rhythm by the pulsation, using high velocity as well as very slow pace.
- Cortex is mostly using disfunctionnality of any kind of toys, synths, machines.
I tried hard to coin Horsnorme (out of norm, standarts, unclassable) music with a certain sens of humor, quite paradoxal, the snake which eat is own tail, and a way to uncategorize the music of the netlabel that I’m running : the necrophile hummingbird.
Perhaps the first idea was to catch and bring on earth things from beyond, I mean I choiced to create the music I was unable to find elsewhere.
 

- Do you release music only under your main project? do you have other active or past music projects or monikers?

I released my music under more than 30 projects mostly because I dislike my music be related to me. And instead prefer let each project with its own life. Most are solo project but some are duets, bands, collectives. http://www.horsnorme.org/EDEND/Ed_End_Flashback.html An anecdote for “The World is Over !” compilation I used 17 of them mostly because it was fun to play the game for each to find if they would stop or let continue the world as it is.

- Favorite music genres??

Anything unclassable, could be close of Postpunk, Industrial music, Psychedelic rock, Electro ethnic, Krautrock, Neofolk, Triphop, No wave, Death rock, Noisy rock, Electro indus, Avantgarde, but mostly nothing too much stuck in a genre. https://www.last.fm/user/abimamibe
 

- In what year did you start making music? which was your first band/project?

1997 with two projects ATros BoXon for freak folk & TKno BeurK for experimental electro.
Follow very soon after by the noise collective My Wagonnet Erétique 68 and the duet Ouaf.
 

- Which inspiration you have from the place where you live? There's some inspiration from your country in your music?


The place where I’m born and I’m living in is a very mysterious town with strong alchemical history.
Two times the town have been completely destroy by the war... The king of france was unhappy about a spanish rift in his country.


So my real country is... earth that’s why I try to spread the word about huge problemes like global warning or anything related to ecology, but not only because it’s only green washing without social side, that’s why I’m against capitalism and do my best for find alternative ways of living and at my small level help them to rise up.


- Which are your favorite visual/plastic artists who inspire your work?

Except for Camembert Electrique netlabel “Museum” compilation my music is not often based on plastic artists, thus I enjoy painters like Beksinski, Giger, James waan, Mossa, Redon or actionist like Beuys. More on visual artists like Phil Morton who bring us the copy it right, and lot of amazing experimental cinema pioneers. I’ve remix or create illegal alternative soundtracks for lot of them to help spread their art. https://www.bitchute.com/channel/mixuptv/ And it’s far more based on poetry like beat generation poets like Kenneth Patchen, Bob Kaufman, Claude Pelieu, Allen Ginsberg… Burroughs or psychedelism like Timothy Leary, Terrence McKenna, John C Lilly… or Speculative Fiction writer Philip K Dick, Jeff Noon... But to be fair about the inspiration on my albums, music is not separate of the writing and the artwork or the video art clip, often when I design one of them, it helps to create the whole album. Each album is like a kind of mathematical problem made by life that I’m able to solve using them.


- How do you see the current Underground music scene of the music genre that you are involved?

Well I’m not in one genre because for me it’s a kind of prison, for example one of the concepts behind rADio eNd is to try to make a project with each album being in different genres. So I’m very happy that the borderline between genres seems become thinner than ever years after years. The only genre I could refer would be free wave, the free music scene, and actually the early dream of internet that something virtual should not be a marchandise is quite far. Netlabel word was used years ago for labels releasing music for free. And now it is used by labels doing virtual releases, selling music, in pay what you want zero include for the better ones. Is there a problem doc ?

- Favorite popular & also underground composers/music projects?

Perhaps when I was a teenager it was Coil. Psychic Tv. Tuxedomoon, The Residents, Minimal Man, Chrome, Virgin Prunes, Bauhaus, Minimal Compact, Mecano, Einstürzende neubauten, The Legendary Pink Dots, Christian Death, Lydia Lunch, Joy Division. 


For the electro Cabaret Voltaire, Foetus, Fad Gadget, Kas Product, Severed Heads, Sixth com.
But the psychedelic side was as important with Amon Duül 2, Can, Gong, The 13 floor elevator, The seeds. Same thing for the heavenly side Dead Can dance, His Name his Alive, Cranes, Current 93.
But actually I’m far more eclectic and the question seems to me to be meaningless.
I should only say : pioneers, not copycats.


- Do you make live performances? If you do, can you talk us about the experience?

Yes, despite that anguish me a lot, each time it’s possible because I see it as “being” a time and space share together, halas usually that’s not often possible, and since the Covid that’s more tricky than ever. However actually I would not perform only for people with medical pass as it is in france. I organised concerts in a squatt ten years ago, bands were playing in a huge metal cage: https://www.youtube.com/watch?v=0YrBKAqYaBY 

My first concerts were also in squatt.
In france It’s the better place without them there will be no underground scene or hardly.
 

- Which is your favorite song/composition and album created by yourself?


 https://archive.org/details/Antagonisme

It’s like asking if one child is my fav… Well, so I thing the closer of myself is “L’Antagonisme" by ThrobofOG remaINDed because it’s only an improvisation with one boss delay sampler effects and my voice. And then my fav would be the one the most far of myself, so all the collective or band albums like “Hum Antenna”, “Anachronic Sacrifice”, “Gesamkunstwerk”, “Genesis Launch” “Faust Tape” for the recent one or sampling album done without my own instruments like “Size to Seizure” because if so I try to catch the spirit of the sources. 



https://archive.org/details/How_To_Download_Free_Music_Unusual_Album_Remix_Pikadon


- Tell us about the concept & the creation process of one of your latest EP / ALBUM

That’s something so much complicated and simple at the same time that I can’t find words for it. Each time I get relevant informations I share them on the Internet Archive on the release page, so for this you could read “Tohu Wa Bohu” presentation it would be a fine exemple. If you want more disturbing creation process check Pikadon, at somepoint I was in the Tibet Museum beside Giger Museum asking to the gallery owner which divinity would be the more related, to build the artwork, because the idea behind was to create something which could create a global disruption to help a change of paradigm, more ore less. And keep in mind that I do not create myself, it was just what I feel about the goal of this remix compilation. I try to avoid to know anything about future (or futures..) since several years but it’s clear that my music is intuitive, same way that I use automatic writing for poetry, I don’t know from where it comes subconscious dreams multiverse or elsewhere but it’s surely not something made by a rational brain stuck in plato cavern.

- Tell us about the underground music scene in your city, and which are your favorite artists from your country?

In my town except the noise rock band “MK ultra” where my coplayer Studio 112 play guitar and a punk rock band, there is no real underground scene, of course the success of Hubert Felix Thiéfaine let a path because he shown that you can be popular despite being not on a major. I’d like to change this at some point, there are few friends in the two cities around : Androvirus, Judith Juillerat , Erebus, Willy Marleen... To develop a local scene is really important to me so each time it’s possible I do various kind of collaborations with them.
https://archive.org/details/Beyond_Magick_Dreams_BSide
https://archive.org/details/Androvirus_Yoshiwaku_DEmantelEe
https://archive.org/details/EONYoshiwaku-Qutb


For the favorite french artists it could be a very long list and few are already on NWW list : Gong, Ghedalia Tarsates, Art Zoid, Ange, Magma, Brigitte Fontaine… I think the ones I prefer are Kas Product, The Grief, Nox, the Syndicat, Déficit Des Années Antérieures, Deleted, End of Data, Gestalt, Denier du Culte, Pacific 231, Bastärd, Hint, Corpus Delicti, Jad Wio despite I’ve listen a lot of more punky music like Les béruriers noirs, Laid thénardier, Les tétines noires, Charles de goal, Warum joe... I’m ashame of the many I forget to write down especially many fav from the free culture like Jungle is Neutral, ardleg, Planetaldol, Michel Nomized, Kalam, JlH Berthelot, Konejo more generally all my collaborators like Antonella Eyes Porcelluzi who always help me to remember to keep my sound free. If I create music with them it’s because I love their music. Something funny is that each time I love a music, if it’s possible I’m so happy to melt my sound universe with. So to find the fav who make beat my heart the best way is to listen Necktar compilation…
http://www.necktar.info


- As active musician, What inspire you to create more and more content? From where you find the inspiration for be a music creator?

Indeed it’s the opposite I try to create less and less content… but I generally fail.
Music is just a consequence of my study of life.


When I was younger it was slightly different because I wanted help a free music scene to grow up in france, now we are all with more music to listen that time in our life for, it’s like the shareware in the early 90’s it was possible to copy on a harddrive all the earth production, now it would be just impossible, actually it’s impossible for me to follow all the bands I’d like, and it’s better like that, with the information overload it need to change of paradigm to leave the always “more” for a sens of harmony, less is better. For my production I try to let room for the others, it’s how the world should be for me, everyone is able to bring wonderfull arts if they are enough passionate, so it would be selfish to do not care about all. In fact it’s possible that a reason why I’m not able to slow my production is that despite there are so many musics lot of them are just marchandises, copypastes, recycles, recipes and not so many are real researches : musical experimentations.

- Any anecdote that you want to share with us in the creation of some track?

Often when I finish an album I get a life reward for it, here is an example of that kind of funny synchronicity, after achieving “Baâl des maudits” I went straight to a second hand shop and I picked the first book front of me, then I read the title it was “Bal des maudits”. The album was including various numeric codes based on number 666 and when I open the book there was 665 pages and one page without number. More recently I did a track Magical Initiation for Invisible Illusion, well I have a special relation with the computer or any electronics device, often I generate unusual bugs, and so when I pressed the play button on vlc to launch this track, the second track also begin to play in another vlc session ! First I do not notice I was just “wov ! How I managed to do this amazing mix with kind of glitch compression letting flow few tunes from the second track” Next I realised that the second track was playing and it was one more bug, so next I chose to recreate at my level this mix, despite I’ve been not able to recreate that amazing glitch... My life and creation are full of these playful events..


- Any news for this second half of 2021 or for 2022 in your music project or future collaborations?

Open Source & Paroxysmic Rhapsody & Tohu Wa Bohu maybe enough to let me breath a little.
Also there will be two Invisible Illusion tracks release soon, the first one on “Communitas vol 2”.
https://mickmagic.bandcamp.com/ I’ve done also some participations to an Augustine Leudar project for something going back to the widening gyre. For 2022 I hope finish the long waiting Multiple Personality 3 Glauko Psyche, another A Symbiotic Experience waiting also since a while. A PIRATE Tapes at least because we’ve got tens of them never release. And others rADio eNd like Operating System and the both last where Peter Hope already recorded the lyrics but I still need to do a lot to finalise them. There is also 2 others Invisible Illusion already cut out… stay tuned here: 

https://ello.co/ed_end and I will drop a word when I know more about.



- Any other thing that you want to say to your listeners?

If you don’t find musics fitting to your hears well I think you should create your own music. And well music is cool for lot of us it’s a way to do not fall in depression or die face to this insane world trusted by unhuman people. Happy if it help to breath in unbreathable times. But music for me is only a consequence of process happening because of being connect to other arts and life and dreams. There is so many people in pain around the world because of selfish choices, comfort, money, short time thoughts, all that, It’s time to refuse, to say no each time we are strong enough, to refuse any gov laws and orders. And to built our local alternatives, in france the gov forbide to anyone without vaccine to acces to cultural places, medical, coffee shop etc at least till next summer... Well if these places accept illegal laws like this they desserve to be boycott. We need to build alternative library, alternative medical center, concert places for example to do “cabarets” instead (party without artists just people sharing their best half performing their art half audience), and associative coffe shop... Now we need to refuse any consensual threason more than ever, to refuse to avoid conflict. It’s a war against humanity there is no reason to be nice with friend familly or anyone if they are spitting on dissidents, if they are throwing stones on us.


It wouldn’t help. As a parent when a children do something really terrible you will say first no, stop ! And explain next not the reverse. If you don’t do it at all it won’t help your children just letting him be rotten more and more. So nothing is easy but if we can each change few things, not perfectly but in a way we are more responsable of our acts and show that we will refuse more horror by any means, I think it would help.


Sorry to tell you that because you are probably the person needing the less to listen it, because I think my listeners may be amazingly open people, dealing with lot of empathy visible or not, and I’m pretty sure each are allready doing its best. All with a certain love for humor and anything atypical. People full of doubts or with a sens of clair voyance. Well, perhaps this “refuse speech” is more adress to myself. 

And instead I should only say to you :
- Thanks so much for being here listening and sharing the music I bring back from my dreams. And for many probably sharing your music with me. My life would be without meaning as without hope without you. 


Love+Share+DIY
Ed End

ps. For the french speakers i did a selfportrait podcast far more accurate than this interview not in my native language to get the answer to many “why” questions…
https://aligrefm.org/podcasts/la-vie-est-un-roman-08-juin-2021-le-colibri-necrophile-ed-end-1400

 

Sunday, July 11, 2021

Interview to Enternet Boy (2021)

Today we did an interview to the mexican composer: ENTERNET BOY from Yucatán, Mexico.

 

 

https://enternetboy.bandcamp.com/

https://soundcloud.com/enternetboy/albums 

https://enternetboy.wixsite.com/enternetboy

https://www.instagram.com/enternetboy/

https://www.youtube.com/c/jorgelaracrl 

https://www.facebook.com/enternetboy  

 

What is the meaning of your artist/project name?

It's related to cyberspace, specially on the ether and the capability to connect and communicate in the immensity of this invisible/ghostly area that internet is. 

 


- Which is the concept behind your music project, how you categorize your own music? 

I think it's a combination of many musical genres, sometimes vaporwave then dark ambient, grime, avant-garde, concrète musique. In general, it's experimental sound design because I create while I improve, no matter what the style it's at the end.


- Do you release music only under your main project? do you have other active or past music projects or monikers?

A year ago, Çois Agver & I joined to Radio Ensayo as Vía de Acceso to talk & share creations from experimental a/v artists around the globe every third Thursday of the month. You're all invited to listen to it & collaborate somehow. We had our show #12 in June & it was audiovisual experience, it was cool. Right there we premiered and presented our duo project named “Desertic Garden” where we explore themes about ecologic activism identified with our ancestral heritage that it's connected to nature. Our first EP was a post-apocalyptic inspiration but we're always open searching new point of views.


 

- Favorite music genres??

Electrónica desconstruida, vaporwave experimental, música concreta, dark ambient/drone, avant-garde, techno, minimal, tribal prehispánico, new age, witch house, contemporary, abstract, etc.

 

- In what year did you start making music? which was your first band/project?

Enternet boy born in 2018 but my visual art project came before when I learned to use Photoshop and other design apps, then we create VDA as an account dedicated to glitch/surrealistic art. After that, we found Audacity & other audio softwares and then I started with sound design under EB.

 

- Which inspiration you have from the place where you live? There's some inspiration from your country in your music?

“Plaza Internacional” it's about my city & my first album it's a tumult to my country. For years ago, I remembered to discover and learn how actual social system constructions works, what's the power of money, invisibility for some specific groups of people and other situations... It was a moment of rebellion and consciousness; I wanted to protest, transform feelings into art. Sounds are dramatic sometimes but there's hope in some pieces too; I inspire myself in ancestral knowledge of people whom were here before me to guide me, to teach me in positive ways.

- Which are your favorite visual/plastic artists who inspire your work?

Çois Agver, DIGITONICA, Enigma Curry, TaRka, Asako Hoshikawa, Draumurmar, Esstro9, Quasiaqua, Chris Meneces, Robin E. Stewart, EustaquioElPlagio, Lend Me Your Underbelly, Samuel L. Jetsen, VDA, Fun.At, Enzo Luciano, Franco Paliof, Dannyhell, Matsumoto Akihiro, Arrehola, Nicolas Morillo, Antonio Ponce, Nikita Tikhonov, Salvador Venti, Nick Williams, Toy-Mesme, Kayvan Niktabiat, Nico Lillo, Zolm, Keith Rankin, Proxima2000taur, Magnhild Kennedy, Jim Davys, Koo Des, Muriel Nisse, Vince Mckelvie, Sander Etehema, Gabriel Gabriel Garble, Sasha Frolova, Nikita Replyanski, Stefano Benediti, Michelle Pan, Armandi Art, Reina Rex, Nick Wivekyolamal, Burnie Elfhonderd, Aunhelden, Theo Tryantafyllidis, André Benson, Irene P. Tello, Michel Poisson, Soso Gutter, Lloyd Newell, Alejandro Jodorowski, Mimi Choi.

 

- How do you see the current Underground music scene of the music genre that you are involved?

I think we're always expanding more & more, there's always new emerging creators at the vanguard. Somehow, due to internet we're connecting frequently with each one from this community of underground music, it's great to know there's someone with same musical taste out there in the world. Hopefully, we can leave a trace for those who don't know about this movement & then they'll be prepared for the future.

 

- Favorite popular & also underground composers/music projects?

Çois Agver, Marcy Angels, taRka, Wilfried Hanrath, Grevus Anjl, Special Cecilia, Belial Pelegrim, Kaerian, Teth Sin, LIJEL, Sábila Orbe, Mist Spectra, Sofia HT, Muterial, Oriental Love, Assá, Lady of Fire Poetry, INRGD, Uncanny Dandelions, Exner, Lissa S, Dariusz Jackowski, Morlita M, Ghost Girl, Elska Lullabies, Bissecta de Kînsame, Espíritu Ensoñado, Scilent Symphony, Pablo Moretti, Synthax Erika, ecology141, Sol Ring, NUT, Motion X, A Virtual Memory, Count Chadwyck, SONOMA, Sulevia, NeapolaXi, Takafumi Suzuki, Her Ra, Tony Morris, Minimal_Drone*GRL, Henry Koek, meezerpocalypse, SÁCC€A, Rina Priduvalova and Diana Azzuz.

 

- Do you make live performances? If you do, can you talk us about the experience? 

Yes, I've been playing in Festival de Pajama 2 & 3, it's another feeling to be in front of people even when you don't see them. There's always love & good interaction in the chat section... And the set I'm thinking to become a studio director.

https://www.youtube.com/watch?v=s5E-awImOmQ


 

- Which is your favorite song/composition and album created by yourself? 

This is a hard one maybe my favourite albums are Plaza Internacional, THÉLÈME and dodecagrama in that order, but to choose just one track it's harder!

 


- Tell us about the concept & the creation process of one of your latest EP / ALBUM

In my LP5 "Plaza Internacional" : https://enternetboy.bandcamp.com/album/plaza-internacional

I interpret the story of a Yucatecan citizen; most of the topics have titles based on Mayan culture and history. I realized that I had not made an album with the roots of my hometown, there are references to past albums, following the themes of magic and self discovery because the songs do not contain samples, so it was something completely original and spontaneous using FL Studio. I learned about mastering and intelectual property in this isolation time.

 

- Tell us about the underground music scene in your city, and which are your favorite artists from your country? 

We have Çois Agver, CNDSD, Isaac Soto, Seagit Arc, Om Beach, Lost Insurgentes, Borametz, Emiliano Dietzgen, Hërmës, Concepción Huerta, Gazrapse, Virtual Trash, Chichilcitlalli, Erick Ruiz Arrellano, Daniela Solis and collectives as Antimateria Sonora, Virtual Soundsystem Records, VAA, Chakanais, Oris.

 

- As active musician, What inspire you to create more and more content? From where you find the inspiration for be a music creator? 

 I think in nature... the Earth in general; human history, technology advances, buildings, dreams, fantasy and magic worlds, on meditation, in the galaxy...


 

- Any anecdote that you want to share with us in the creation of some track? 

I think the curiosity of all my works, it's the growth and relationship of my life experiences with these sounds that produce feelings. There's a meaning and specific message in all compositions but they're encrypted and sometimes they're played during a special moment or date or specific learning. Somehow like Magick.

 

- Any news for this second half of 2021 or for 2022 in your music project or future collaborations?

Yes, I'm planning a new compilation album singing some of my previous works, like a re-interpretation but freshly, most of them its going to be about “Plaza Internacional”. This would be the first time I use vocals in Enternet boy's project. I want to directed a video for the performance too but I'm still organizing how this is going to be directed & played, surprises are coming

 

- Any other thing that you want to say to your listeners? 

Stay creative, trust in your institution, be true & be free